“The Last Black Man in San Francisco” and the Fear of Being Erased

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Sundance 2019. Brought to you by. Photo: Peter Prato/Courtesy of Sundance Institute. This review was originally published during 2019’s Sundance Film Festival. We are republishing the piece as the film expands into more theaters.

‘Last Black Man in San francisco’ review: race, Gentrification and an Instant Classic. Two Bay area filmmakers deliver a funny, poignant, rage-filled You can tell that The Last Black Man in San Francisco, the debut feature from director Joe Talbot, is something special within its first five minutes.

Sundance Film Review: ‘The Last Black Man in San Francisco’. Back in the ’40s, when Jimmie’s grandfather moved into San Francisco’s historically black Fillmore District "Last Black Man" is more of a mood piece, leaning on DP Adam Newport-Berra’s radiant cinematography and the vibrant swells.

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"The Last Black Man in San Francisco," directed by Joe Talbot and starring Jimmie Fails, is about being that kind of San Franciscan, and the film is so organic that the sensibility is built.

Jimmie Fails in The Last Black Man in San Francisco. A24. That love is clear in the way the film frames their faces, their eyes, their surroundings. And the result is a portrait of a city through its people. It’s moving and a little enchanted by its subject, though there’s a sense that the enchantment.

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It is this: At a moment when our collective memory is being rapidly erased, an act of collective violence. shot fired in.

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That had started at Sundance, where the film was the festival’s most beloved discovery this year. And while The Last Black Man in San The film has so much to say about the gentrification going on in a big city like San Francisco, and ends with a moving moment on the bus, where you say to a woman.